Ria wants to protect their son Aryan from Surya’s blinkered commitment to duty, and she’s painted as the villain for wanting to move to Australia without her husband. There’s a theme in the movie about the importance of family, but it only pertains to Surya’s wife Ria (Katrina Kaif), not Surya. This feeds into the second lazy trope: that patriotism is the only personal quality that matters. Shootout in a crowded marketplace? Extrajudicial murder of unarmed perpetrators? Engaging in a firefight with a suspect while your son is in the car, leaving the boy wounded? All okay, so long as they’re done for the sake of the country. What differentiates the film is the degree to which it leans into lazy genre tropes and outright harmful stereotypes.įirst among the lazy tropes is that patriotism is a blanket excuse for reckless or immoral actions. A sleeper cell of Islamic terrorists is planning an attack on Mumbai, and the only man who can stop them is Veer “Surya” Sooryavanshi (Akshay Kumar). The plot draws from the standard Bollywood “supercop” genre playbook. It’s even worse than I expected it to be. The third member of Rohit Shetty’s “cop universe” of cinematic heroes - Sooryavanshi - is introduced in his namesake film.
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